Mumford and Sons Club
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posted by ediebutt
Hey, everyone! My boyfriend wanted me to write a review for "Sigh No More" for his website, and I'm wondering if y'all could give me some feedback since he wants me to write 더 많이 in the future? haha

의해 now, if 당신 haven't heard the name "Mumford & Sons," 당신 may be living in a cave with your fingers in your ears. With only one album, they’ve hovered at the 상단, 맨 위로 of the U.K. charts for 72 straight weeks, as well as earning high spots in all the other predominantly English-speaking countries—you can’t turn on a radio in the U.S. without hearing “Little Lion Man” at least once nowadays. This London-based quartet has tapped into the 인기 masses playing catchy folk with naught but a 베이스 drum and a tambourine as their percussion on most of their songs, still somehow urging the listener to bounce up and down 또는 headbang while listening.

Sigh No 더 많이 is deliciously rife with musical explosions that are surprising on the first few listens, and once 당신 get used to them, 당신 wait on the edge of your 좌석 for them and have a braingasm when the 벽 hits you. In the cases of “Little Lion Man” and “Roll Away Your Stone,” two of the four singles on the album, “Country” Winston Marshall’s insane banjo playing carries these intense moments rhythmically much further than any other instrument; in calmer songs such as “White Blank Page” and “I Gave 당신 All,” the peaks are 더 많이 gradual and paced, pulling the listener through the entire song despite the slower tempo.

Although Mumford is the lead, each of the members’ voices can be distinctly heard during invigorating choruses, as they all have a unique melodic line that enriches rather than overburdens the listener with noise. This makes them able to get away with just 노래 an open “ahhh” on a few tracks without becoming boring, and when they go a capella, there’s nothing to do but bask in it.

Apart from the fact that they subtly lifted lines from Shakespeare and Hemingway, many of Mumford & Sons’s lyrics are simple yet so well-crafted that each song allows the listener to glean a story from them in their own minds. “Dust Bowl Dance” is one of the few on the album that doesn’t leave much room for personal imagination, but it still touches on the universal issue of unequal wealth distribution, as Mumford asks “One man has and the other has not/ How can 당신 사랑 what it is 당신 have got?”

“After The Storm” is a standout track, using no percussion whatsoever, a guitar, and Marcus Mumford’s gentle vocals. It’s certainly not the only one in which 사랑 is mentioned, but it seems to be 더 많이 personal, and it is perfect to listen to after a quarrel - “Love will not break your heart, but dismiss your fears,” Mumford sings amongst other romantic postulations that ultimately are about humbling yourself before the harsh world and helping your partner to survive.

The 제목 track, “Sigh No More,” also declares that “love, it will not betray you, dismay, 또는 enslave you/ It will set 당신 free”, but it seems to invoke 사랑 for your fellow man – it’s definitely the feel-good song on the album. The slow fade-in of Mumford’s 기타 eases the listener into the music, and each instrument adds itself on seamlessly, introducing their musical style so well that no other song could have worked as the first track.

Considering none of these musicians owned their own instruments when they started recording, the aspects of their composition are simply astounding. They have managed to create 음악 that is diverse and exciting, with simple, down-to-earth themes that don’t extrapolate 또는 understate – the perfect recipe for our fast-paced world, when all we need is something attention-getting that makes us slow down and think a little.

That's all ^^; there's a link to his website on my 프로필 if 당신 want to check out this review with all the pretty graphics, but really I'm just looking for critiques on my 글쓰기 :) thanks!
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Source: screenshots from a 유튜브 video
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It's Brilliant! But what do 당신 think it should be called??!?!?!
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sons
mumford
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Source: made 의해 me
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A cover of the song 'England' (The National) 의해 Mumford and Sons.
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