A film about killer hair extensions may sound like a
goofy premise but Sion Sono’s film is a must for J-
Horror 팬 and general horror film 팬 will lap it up
too.
There are two elements at work in the film. One is the
story of a dead girl’s corpse that keeps spouting
luxuriant black hair from every orifice. Her body is
stolen 의해 a tricophilic who cuts her hair and sells it for
use in hairdressers for hair extensions. The hair
extensions, however, are possessed and either kill the
wearer 또는 drive them insane.
초 is the story of trainee hair stylist Yuko who has
an absolute 암캐, 암 캐 whore of a sister – Kiyomi – who
abuses her little daughter – Mami and acts like a total
vicious, heartless tart. Mami gets dumped on Yuko.
Their bond grows closer. Kiyomi regularly steals from
Yuko’s flat and one time grabs the lethal hair
extensions. Back at her own flat we are treated to the
exceedingly pleasing scene of Kiyomi and her sleazeball
boyfriend copping a horrible death 의해 rampant hair.
Yuko and Mami have to do their own hairy battle at the
film’s conclusion but this is less interesting than the
이전 action. At the end, it all comes good and Yuko
asks Mami if she wants to 옮기기 in with her. Mami is
delighted.
The child abuse element of the film is jarring as we
watch a beautiful little girl get bossed about, verbally
and physically abused, chastised, screamed at. The
암캐, 암 캐 of a mother has a vile, vicious tongue and can
sweet talk Mami into thinking she cares about her and
then she turns into the wicked witch in an instant. How
anyone can abuse such a beautiful, obedient, clever
little girl is beyond me. Seeing the mother get her
comeuppance is gleefully brilliant and 당신 want to jump
for joy.
It is also good to see how Yuko matures through the
film through her initially unwanted enforced parenthood
to fully accepting caregiver and guardian of Mami. She
really grows up.
As I said before, the concept of killer hair extensions
may sound daft but the special effects are excellent and
the menacing hair looks luxuriant and lifelike.
This really is a special little film and it deserves to be
exalted in the canon of J-Horror.
goofy premise but Sion Sono’s film is a must for J-
Horror 팬 and general horror film 팬 will lap it up
too.
There are two elements at work in the film. One is the
story of a dead girl’s corpse that keeps spouting
luxuriant black hair from every orifice. Her body is
stolen 의해 a tricophilic who cuts her hair and sells it for
use in hairdressers for hair extensions. The hair
extensions, however, are possessed and either kill the
wearer 또는 drive them insane.
초 is the story of trainee hair stylist Yuko who has
an absolute 암캐, 암 캐 whore of a sister – Kiyomi – who
abuses her little daughter – Mami and acts like a total
vicious, heartless tart. Mami gets dumped on Yuko.
Their bond grows closer. Kiyomi regularly steals from
Yuko’s flat and one time grabs the lethal hair
extensions. Back at her own flat we are treated to the
exceedingly pleasing scene of Kiyomi and her sleazeball
boyfriend copping a horrible death 의해 rampant hair.
Yuko and Mami have to do their own hairy battle at the
film’s conclusion but this is less interesting than the
이전 action. At the end, it all comes good and Yuko
asks Mami if she wants to 옮기기 in with her. Mami is
delighted.
The child abuse element of the film is jarring as we
watch a beautiful little girl get bossed about, verbally
and physically abused, chastised, screamed at. The
암캐, 암 캐 of a mother has a vile, vicious tongue and can
sweet talk Mami into thinking she cares about her and
then she turns into the wicked witch in an instant. How
anyone can abuse such a beautiful, obedient, clever
little girl is beyond me. Seeing the mother get her
comeuppance is gleefully brilliant and 당신 want to jump
for joy.
It is also good to see how Yuko matures through the
film through her initially unwanted enforced parenthood
to fully accepting caregiver and guardian of Mami. She
really grows up.
As I said before, the concept of killer hair extensions
may sound daft but the special effects are excellent and
the menacing hair looks luxuriant and lifelike.
This really is a special little film and it deserves to be
exalted in the canon of J-Horror.
