Roger Ebert: **** (4 Stars)
Walt Disney's "The Little Mermaid" is a jolly and inventive animated 판타지 - a movie that's so creative and so much fun it deserves comparison with the best 디즈니 work of the past.
It's based on the Hans Christian Andersen tale about a mermaid who falls in 사랑 with a prince, but the 디즈니 animators have added a gallery of new supporting characters, including an octopus named Ursula who is their most satisfying villainess since the witch in "Snow White."
Watching "The Little Mermaid," I began to feel that the magic of 애니메이션 had been restored to us. After the early years of Walt Disney's pathfinding feature-length cartoons, we entered into a long, dark age in which frame-by-frame 애니메이션 was too expensive, and even the great 디즈니 애니메이션 team began using shortcuts. Now computers have taken the busywork out of the high-priced hands of humans, who are free to realize even the most elaborate flights of imagination. And that's certainly what they do in this film.
The movie opens far beneath the sea, where the god Triton rules over his underwater kingdom. All obey his commands - except for his daughter, Ariel, a mermaid who dreams of far-off lands. One 일 Ariel makes a forbidden visit to the surface of the sea, and there for the first time she sees a human: a handsome, young prince. He hears her singing, and falls in 사랑 with her voice. Triton is angry at Ariel's disobedi ence, but she can think of nothing but the prince, and eventually she strikes an unwise bargain with the evil Ursula, an octopus who can disguise herself in many different forms. Ursula will take away Ariel's tail and give her human legs so she can follow the prince on to the land, but if the prince doesn't 키스 her within two days, she will have to give her haunting 노래 voice to the octopus.
Two key elements in the storytelling make "The Little Mermaid" stand apart from lesser recent animated work.
One is that Ariel is a fully realized female character who thinks and acts independently, even rebelliously, instead of hanging around passively while the fates decide her destiny. Because she's smart and thinks for herself, we have sympathy for her scheming.
The 초 element involves the plot itself: It's tricky and clever, and involves some suspense as Ariel loses her voice and very nearly loses her prince to the diabolical Ursula (who assumes the form of a femme fatale and hijacks Ariel's beautiful voice).
As the plot thickens and the melodrama unwinds, the animators introduce a gallery of new characters who are instantly engaging. Ariel is accompanied most places, for example, 의해 Sebastian, a 게, 크랩 with extraordinary wisdom, and 의해 Flounder, a 물고기 who cannot always be counted upon. They provide comic relief, especially in a sequence that mixes comedy and danger in the best 디즈니 tradition, as Sebastian finds himself captured 의해 a French chef who attempts to cook and serve the little blighter.
What's best about "The Little Mermaid" is the visual invention with which the adventures are drawn. There is a lightness and a freedom about the settings - from Triton's underwater 왕좌, 왕위 room to storms at sea to Ursula's garden of captured souls (they look a little like the tourists buried in Farmer Vincent's back yard in "Motel Hell"). The 색깔 are bright, the water sparkles with reflected light, and there is the sense that not a single frame has been compromised because of the cost of animation.
The songs are good, too. "The Little Mermaid" contains some of the best 디즈니 음악 since the glory days. My 가장 좋아하는 song is a laid-back reggae number named "Under the Sea," sung 의해 Samuel E. Wright in such a splendid blend of 애니메이션 and 음악 that I recommend it to the cable 음악 channels. The movie was written and directed 의해 John Musker and Ron Clements, who made the entertaining "The Great 쥐, 마우스 Detective" (1986), and the songs are 의해 Alan Menken and the co-producer, Howard Ashman.
Something seems to have broken free inside all of these men, and the animating directors they worked with: Here at last, once again, is the kind of liberating, original, joyful 디즈니 애니메이션 that we all remember from "Snow White," "Pinocchio" and the other first-generation classics.
There has been a notion in recent years that animated films are only for kids. But why? The artistry of 애니메이션 has a clarity and a force that can appeal to everyone, if only it isn't shackled to a dim-witted story.
"The Little Mermaid" has 음악 and laughter and visual delight for everyone.
Walt Disney's "The Little Mermaid" is a jolly and inventive animated 판타지 - a movie that's so creative and so much fun it deserves comparison with the best 디즈니 work of the past.
It's based on the Hans Christian Andersen tale about a mermaid who falls in 사랑 with a prince, but the 디즈니 animators have added a gallery of new supporting characters, including an octopus named Ursula who is their most satisfying villainess since the witch in "Snow White."
Watching "The Little Mermaid," I began to feel that the magic of 애니메이션 had been restored to us. After the early years of Walt Disney's pathfinding feature-length cartoons, we entered into a long, dark age in which frame-by-frame 애니메이션 was too expensive, and even the great 디즈니 애니메이션 team began using shortcuts. Now computers have taken the busywork out of the high-priced hands of humans, who are free to realize even the most elaborate flights of imagination. And that's certainly what they do in this film.
The movie opens far beneath the sea, where the god Triton rules over his underwater kingdom. All obey his commands - except for his daughter, Ariel, a mermaid who dreams of far-off lands. One 일 Ariel makes a forbidden visit to the surface of the sea, and there for the first time she sees a human: a handsome, young prince. He hears her singing, and falls in 사랑 with her voice. Triton is angry at Ariel's disobedi ence, but she can think of nothing but the prince, and eventually she strikes an unwise bargain with the evil Ursula, an octopus who can disguise herself in many different forms. Ursula will take away Ariel's tail and give her human legs so she can follow the prince on to the land, but if the prince doesn't 키스 her within two days, she will have to give her haunting 노래 voice to the octopus.
Two key elements in the storytelling make "The Little Mermaid" stand apart from lesser recent animated work.
One is that Ariel is a fully realized female character who thinks and acts independently, even rebelliously, instead of hanging around passively while the fates decide her destiny. Because she's smart and thinks for herself, we have sympathy for her scheming.
The 초 element involves the plot itself: It's tricky and clever, and involves some suspense as Ariel loses her voice and very nearly loses her prince to the diabolical Ursula (who assumes the form of a femme fatale and hijacks Ariel's beautiful voice).
As the plot thickens and the melodrama unwinds, the animators introduce a gallery of new characters who are instantly engaging. Ariel is accompanied most places, for example, 의해 Sebastian, a 게, 크랩 with extraordinary wisdom, and 의해 Flounder, a 물고기 who cannot always be counted upon. They provide comic relief, especially in a sequence that mixes comedy and danger in the best 디즈니 tradition, as Sebastian finds himself captured 의해 a French chef who attempts to cook and serve the little blighter.
What's best about "The Little Mermaid" is the visual invention with which the adventures are drawn. There is a lightness and a freedom about the settings - from Triton's underwater 왕좌, 왕위 room to storms at sea to Ursula's garden of captured souls (they look a little like the tourists buried in Farmer Vincent's back yard in "Motel Hell"). The 색깔 are bright, the water sparkles with reflected light, and there is the sense that not a single frame has been compromised because of the cost of animation.
The songs are good, too. "The Little Mermaid" contains some of the best 디즈니 음악 since the glory days. My 가장 좋아하는 song is a laid-back reggae number named "Under the Sea," sung 의해 Samuel E. Wright in such a splendid blend of 애니메이션 and 음악 that I recommend it to the cable 음악 channels. The movie was written and directed 의해 John Musker and Ron Clements, who made the entertaining "The Great 쥐, 마우스 Detective" (1986), and the songs are 의해 Alan Menken and the co-producer, Howard Ashman.
Something seems to have broken free inside all of these men, and the animating directors they worked with: Here at last, once again, is the kind of liberating, original, joyful 디즈니 애니메이션 that we all remember from "Snow White," "Pinocchio" and the other first-generation classics.
There has been a notion in recent years that animated films are only for kids. But why? The artistry of 애니메이션 has a clarity and a force that can appeal to everyone, if only it isn't shackled to a dim-witted story.
"The Little Mermaid" has 음악 and laughter and visual delight for everyone.