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 The King forever
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Source: mjforumfrance
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At 7:55 a.m., an 어셔 at the glass doors outside Staples Center in Los Angeles had a message for the thousands already gathering for the day's public memorial for Michael Jackson. "We are aware of your sorrow!" he announced in deep, affectionate tones. "We are aware of your pain! And we are aware of your joy!"

The man in the purple polo 셔츠 then instructed ticket-holders how to line up, and that 팬 would have to leave their 꽃 and other "gifts" on a 표, 테이블 outside the arena, all while insisting that "it is our pleasure, it is our privilege to welcome 당신 ..." It was a moment of genuine...
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posted by Beatit
There's something
I have to say to you
If 당신 promise you'll
understand
I cannot contain myself
When in your presence
I'm so humble
Just touch me
Don't hide our love
Woman to man

She's just a lover
Who makes me high
It's worth the giving
It's worth the try
You cannot cleave it
Or put it in the furnace
You cannot wet it
You cannot burn it

She wants to give it
(She wants to give it)
(Aahh, she wants to
give it)
Dare me
(She wants to give it)
(Aahh, she wants to give it)
She wants to give it

(She wants to give it)
(Aahh, she wants to give it)
Yea
(She wants to give it)
(Aahh, she wants to give it)

It's just a feeling
You have...
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posted by Beatit
In this world there's much confusion
And I've tasted the city life and it's not for me
Now I do dream of distant places
Where I don't know, but it's destiny


If it's the rich life, I don't want it
Happiness ain't always material things


I want destiny
It's the place for me
Give me the simple life
I'm getting away from here
Let me be free, let me be me


I'm a man that's for all seasons
What the city offers me ain't naturally
I look to greet the stars
But there's no stars to see
Gonna 검색 this world until I find my destiny


If it's the rich life, I don't want it
Happiness ain't always material things
I want destiny...
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posted by Beatit
(Naku penda piya-naku taka piya-mpenziwe)
(I 사랑 당신 too-I want 당신 too-my love)

Liberian girl . . .
You came and 당신 changed my world
A 사랑 so brand new
Liberian girl . . .
You came and 당신 changed me girl
A feeling so true
Liberian girl
You know that 당신 came
And 당신 changed my world,
Just like in the movies,
With two 연인들 in a scene
And she says . . .
"Do 당신 사랑 me"
And he says so endlessly . . .
"I 사랑 you, Liberian girl"

(Naku penda piya-naku taka piya-mpenziwe)
(I 사랑 당신 too-I want 당신 too-my love)

Liberian girl . . .
More precious than any pearl
Your 사랑 so complete
Liberian girl . . .
You 키스 me...
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added by Beatit
Michael Jackson has a simple instruction for his personal make-up artist Karen Faye when she prepares him for his appearance on stage. ''Hurt me, hurt me.'' he tells her.
For Jackson, whose latest album BAD has sold millions worldwide, wants to look so good for his 팬 that his image in a mirror must be so fantastic that is almost hurts.
Karen said: ''It's one of his 가장 좋아하는 phrases - he says it all the time. When he wants something to be brilliant, he says, 'HURT ME'.
''Whenever it is a new dance routine, a photographic session 또는 other people's make-up he says,
'Make it look great, Hurt...
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added by MSMJFANFOREVER
Source: MSMJFANFOREVER
added by kamilaMJ
added by moujan
added by House34
added by GabrielsGodsend
added by Anteishia19
added by Esmiralda14
added by alicecullensBFF
added by Esmiralda14
added by JoeysBabyGrL
Source: ET Online
posted by mj_yana_girl
 Cover of the "Will 당신 Be There" CD single.
Cover of the "Will You Be There" CD single.
Michael Jackson first revealed Will 당신 Be There to the world when it featured as the eleventh song on his 1991 album release 'Dangerous'. Penned solely 의해 Michael at the height of his career, this initial 7 분 and 40 초 version of the song became an instant favourite of 팬 the world over.

The first time I heard Will 당신 Be There, I was captivated 의해 the intensity of emotion conveyed 의해 Michael in both his voice and lyrics. I can still remember sitting at eight years old, engrossed in 글쓰기 out the lyrics over and over again in an attempt to decipher Michael's true intent behind...
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