For years the networks have tried to re-create the success of 프렌즈 의해 making pilot after pilot about beautiful twenty-somethings living together in New York. Beautiful twenty-somethings living in Los Angeles. Beautiful twenty-somethings investigating sexy child murders in Miami. This template never works, because executives refuse to realize that 프렌즈 was the exception, not the rule.
The first time I read this, I thought “this is so true.” The 더 많이 I looked at it, the 더 많이 I disagreed, at least on the implication that 프렌즈 in itself made everything else mediocre. Writers of the current sitcoms on 텔레비전 are doing this to themselves and their shows, 글쓰기 them worse than Friends, and 글쓰기 shows with less popularity, because they believe nothing can ever be as good.
Do I think that there will ever be a show like 프렌즈 again? No. Nothing I watch (and this entire 기사 is talking of sitcoms only) holds a candle to Friends, and I doubt I’ll ever 사랑 a show as much again. It’s ruined me for anything new, anything old, and yes, even anything current. I don’t 사랑 The Big Bang Theory 또는 How I Met Your Mother any less, but 프렌즈 goes way beyond either of them. I think it is a standout, and, as the above quote says, an “exception” not a “rule”.
Note, however, that I said “an” exception, and not “the” exception. It doesn’t have to be as much of a standout as it was and is. Writers nowadays, through either lack of attention to detail, lack of a realistic setup for their show, 또는 something else entirely, are indirectly making 프렌즈 into something that stands so far above the rest the other shows have to climb on a 발판, 자 to look it in the eye.
I have a few simple ideas that can make sitcoms 더 많이 of what we saw in Friends. The following are some subtle, cheap changes than can and should be made to most of today’s sitcoms. They are the little things that I believe made 프렌즈 great.
So here, sitcom writers, are my suggestions.
1. Have a higher percentage of females in your cast.
프렌즈 had three females and three males. Sitcoms nowadays about twenty-somethings are rarely equal. Until this season, The Big Bang Theory had one female to four males. How I Met Your Mother is slightly 더 많이 balanced with two females and three males. Rules of Engagement has four males to two females. Two and a Half Men has three main characters, none of which are female. The female characters are girlfriends of the two men (who rarely last long), the housekeeper, and the older mother. Guest characters and recurring cast rarely have the depth of the main cast, so one can safely state that Two and a Half Men has no developed female characters.
Now, I am not sexist. Nor am I feminist that believes that females hold the answer to all success. However, it is a fact that women are 더 많이 affectionate then men, and women are 더 많이 likely to publicly display that affection 또는 intimacy with people they are close to.
I was on the girls’ swim team at my high school for four years, and I was a timer at all of the boys’ team’s 집 competitions. In between their events some boys cheered the boys that didn’t sat apart from one another, staring blankly ahead while listening to their music. They wandered the deck with their headphones in. They went into the locker room.
The girls, on the other hand, aside from cheering, sat 다음 to each other, shared iPod headphones, 또는 curled up with two 또는 three others on towels. They watched races while resting their heads on each other’s shoulders. They were generally 더 많이 affectionate, and I am sure this is why the school believes that the girls’ team is closer than the boys’. I’m not saying I believe that, guy friendships are displayed in different ways and I have no doubt that those boys are really good friends. But what is not seen is harder to believe 의해 the general public.
So, getting back to sitcoms, having 더 많이 females in the cast makes it easier (and sitcom writers like ease, that’s been proven time and time again) to show close relationships. In Friends, the girls would hug the guys when they were upset about something, 또는 they’d cover each other with a blanket if one fell asleep outside of a bedroom. They’d cry – and crying is a display of emotion if anything is – and they’d hug each other. They’d share their feelings. Guys rarely do that on sitcoms, and when it is done it is usually used for humor. If there is enough time in the show to show the guys’ laughable lamentations, then show some of the female characters upset too, and don’t ask the 여배우 for cartoonish crying meant for laughs, ask them to make it look real. It’s easier for an audience to buy it with a female than a male, and it makes the people who watch the show identify with the character(s).
And the females have to be the same age as the males. Mother figures don’t count for me. If it’s your friend 연기 that way, it’s not some related-by-blood mother thing going on. It’s a connection between friends, and that is special because a mother-daughter 또는 mother-son connection is supposed to be there. Throw two 랜덤 people in the room (which is really what any first meeting is) and no one expects gold. So when we find it, we need to express it, because that’s the best way to show it’s there.
I have nothing against men. But women need to be 더 많이 prominent in sitcoms. And yes, having a few that society deems attractive will probably help the show get a 초 season, which is often needed to help it get on it’s feet and generate enough support to be renewed on interest alone.
2. Character growth is okay.
Look at Rachel Green. Pilot episode she’s a whiny daddy’s girl still using his credit cards and marrying so she could depend on someone else. 의해 running out on her wedding (“maybe I want to be a hat!”) we learn that deep down inside of her is someone who wants to be 더 많이 than that. There, right in the first episode, is the potential for growth. 의해 the end of the show, Rachel has gone from jobless, “trained for nothing”, and selfish to a mature woman who has had a career and is sought after in the most prestigious places in the world that her job is offered. She is a mother. She has begun to put other people first, and she goes from crying about fake 텔레비전 weddings to crying about the possibility of leaving her friends. Of course, the other characters grew, too. Joey learned what it was like to 사랑 someone. Monica grew out of her dependency on her parent’s approval. Phoebe got relationship skills that allowed her to get into and keep a relationship ending in marriage. Chandler became “likely to take a wife,” and Ross grew up too, in 더 많이 subtle ways. But in my opinion, Rachel grew the most, and I think that is a large part of why people think she’s overrated. Most people, well, they 사랑 her. And while they may list their reasons for it (some may be honest, some may lie) I think that unconsciously that’s what people are responding to – how she changed.
Now, let’s look at sitcoms today. I’m going to skip right over Two and a Half Men because the only character growth I see is Jake growing from a boy to a…(I really don’t want to say ‘man’ here)…an adult. Sure, there’s the Charlie/Rose thing, but even if Charlie would be back on the show 다음 year, him realizing he wants to be with her is one thing, and as she’s been around from the start, it’s nothing new 또는 even surprising.
How I Met Your Mother has some growth. Barney 또는 Robin is the most notable, with both of them warming to the idea of relationships. Knowing Barney will one 일 marry is big. Ted is changing too, into the person the mother can one 일 fall in 사랑 with. So How I Met Your Mother has the character growth we need.
Rules of Engagement has little growth. Russell is still a ladies’ man. Adam and Jen are still engaged. Timmy went from a respectful man to being insanely horny. Audrey and Jeff are unchanged. And I bet some people wonder why it only gets a half season and is now airing Saturday nights in front of reruns.
The Big Bang Theory is all over the place. We get character growth in single episodes, and then it’s gone. Raj still cannot talk to women, Leonard is still suffering from the treatment his mother gave him, and Sheldon, while some would argue differently, is virtually unchanged. He will do things he hasn’t yet done, such as buying presents 또는 going to the hospital, but his reasoning for doing them is the same old, same old thing he has always done. Howard has probably changed the most, going from a creepy womanizer to an engaged man.
Then, there is Penny. Although people can argue differently, (and I bet the writers of this show would) Penny is supposed to be Rachel. She leaves the safety of her family and gets involved with another group of people who become her friends. She can’t get a good job and so waitresses. She is the female half of an on and off relationship. She can be insecure. She is supposed to be this decade’s Rachel Green, and what I believe is what made people connect with and 사랑 Rachel is exactly what Penny is lacking.
Four seasons in, Penny is having drunken hookups, same as she “has always done” (according to a writer himself). Her career has not improved. Her dreams of being an actress have been virtually abandoned, and she has made people dislike her in surprising numbers. Sure, she has bonded with the group that welcomed her in, but let’s face it, it’s not surprising that she likes being with men who don’t treat her like her muscle-bound exes did. I personally do not agree with Kaley Cuoco when she says “(Penny) would lie down on the tracks for these guys.” I’m sorry, I’d 사랑 to believe that, but I don’t. I know people who have stopped watching because of what Penny has become.
So the 초 big thing that 프렌즈 had – growth. How I Met Your Mother has it, too, and that show’s numbers would have it be a big hit anywhere other than CBS. But people want to grow, people want to realize their dreams, 또는 realize what they wanted all their lives is what they have now. 프렌즈 did that.
3. Give the characters lots of past. Make a few related to each other.
One of the things I loved about 프렌즈 is how most of them had at least run into one another prior to becoming close. Phoebe had mugged Ross as a teenager. Chandler was Ross’ college room mate, so he knew Monica and Rachel vaguely. Three of the six had gone to the same schools, so incidents could be recalled years later with the “that was you!?” type conversations that we saw often. Their lives were intertwined before they were friends, giving them and the audience a sort of tie that showed that they belonged together as a group.
Another great thing was having Monica and Ross be related. That did a lot to help eliminate the female-male barrier that every show faces. Whenever a male and female character have any sort of chemistry at all, there are always 팬 that want them to get together as a romantic couple. I always argue that not all chemistry is romantic, and this, the brother/sister relationship, is a convenient (and let’s be honest, creative; not many shows have siblings in the cast) way to show female/male closeness without legions of 팬 shouting out for them to get together. Once we have Monicas and Rosses in sitcoms, it’s easier for the writers to have other male/female relationships that are not seen solely as potential for romance, since a given “no no” is already there. Now, putting a male-female sibling dynamic into a show will rarely happen because of course people will say, and rightly so, that it is very similar to what 프렌즈 did. But don’t think of it as “copying Friends.” Think of it as “doing what works.”
4. Put some subtle additions in the script that shows the character’s chemistry 또는 just the plain fact that these people like each other. And do it in 더 많이 than a few episodes.
There are many scenes that show Monica (and Phoebe and Rachel on occasion) with their feet up on the coffee table, and their lower legs casually crossing over someone else’s. It’s subtle. It may not register in the audience’s mind (or the majority, anyway) that their legs are resting on someone else’s, but it will be there in the unconscious mind. In The Big Bang Theory, when there was an episode that had two of the female characters share a chair, 팬 got excited, and they had a right to be. It was a subtle, unspoken sign of friendship and being comfortable that we hardly ever see in sitcoms today. If people shared a chair on Friends, it was an every 일 thing. No one got excited because that’s what they did. Sure, I notice it now, but I grew up with the sort of stuff on 텔레비전 today, which don't take me wrong, is great for today, but ah, the past.
How hard is it, for writers of sitcoms, to make notations in the script “so-and-so turns and smiles at so-and-so.” “So-and-so smirks at so-and-so.” “So-and-so squeezes so-and-so’s arm gently.” “So-and-so and So-and-so hug in excitement/celebration, etc”. Now, both How I Met Your Mother and The Big Bang Theory does do this, but again, 프렌즈 had it much 더 많이 frequently, so it wasn’t quite as noticeable. Well, maybe noticeable is the wrong word. How about notable? If it’s a moment of “Oh my gosh look at that grin!” in modern 일 shows, it’s just as noticeable all the times it’s not there.
5. Give genuine makeups/apologies after arguments. Don’t conveniently end the episode.
I 사랑 when Monica and Rachel fight. Why? Because I know that there will always be a sweet friendship/sisterly moment at the end. Same for Chandler/Joey and all the other dynamics. They always, without fail, realize what they mean to each other, and it’s shown in a way that leaves people with no doubts.
Two and a Half Men’s apologies/makeups always feel fake to me, and that may be because often the person was faking it for their own convenience. How I Met Your Mother does a pretty good job at this, and The Big Bang Theory wraps up it’s storylines in pretty convenient ways sometimes (Sheldon and Penny both get sick, 또는 Mary intervenes for Leonard/Howard/Raj’s mistakes, etc) and sometimes drops the issue altogether, although on occasion a proper makeup is shown. But 프렌즈 doesn’t fix it “on occasion.” 프렌즈 didn’t do a “pretty good job.” 프렌즈 never felt “fake”. It was genuine and sweet, one hundred percent of the time.
When there was a fight on Friends, I always knew it was going to resolve itself and leave me loving the characters more. When there is a fight on The Big Bang Theory 또는 How I Met Your Mother, I dread 읽기 reviews/forum posts on how awfully it was written 또는 how terrible a character behaved.
So in short, it’s very simple.
Now that you’ve read this huge 기사 on what stands 프렌즈 apart, I’m going to sum it up with one simple sentence.
Put 심장 in your sitcom.
If we can believe that these characters care for one another, if we believe that these characters, at least for twenty-two 분 at a time, are real, we are going to keep tuning in, keep laughing with them, and keep rooting for them. With 프렌즈 I rarely, if ever, see 코멘트 like “the writers made Emily a bitch,” 또는 “the writers caused Monica to fall in 사랑 with Chandler.” I see 코멘트 that say “Emily is a bitch,” 또는 “Monica fell in 사랑 with Chandler.” And it’s phrased that way because there was 심장 within the funny, 사랑 at the core of each storyline, and the characters were loveable, redeemable, and genuine enough for people to believe, while watching, that they were real people to be loved and entertained by.
In Conclusion
I agree with the quote in the fact that nothing has been 또는 ever will be like Friends. 프렌즈 is and always will be in a class 의해 itself, no matter what the comparison is.
A show is truly special that makes most people cry when they watch the series finale. It’s special when each 년 팬 hope for a reunion episode. 프렌즈 is a show that was so 인기 and important that, in a Horrible Bosses 기사 written seven years after the show’s conclusion, there was a sentence that said “It will be strange to see Rachel (not Jen Aniston, Rachel) in the role of such a terrible woman.” It’s special enough that Ellen DeGeneres greets Matt LeBlanc with “how 당신 doin’?” the same number of years later. It’s special enough that the 질문 that most wanted answered in a Jen Aniston interview just a few weeks 이전 was “are 당신 still 프렌즈 with the Friends?”
프렌즈 was definitely special.
프렌즈 will always be an exception.
But it doesn’t have to be the only one. It doesn't have to be that far above the rest. 프렌즈 had it’s share of annoying characters, weak episodes, and bad 또는 cheap jokes. Without the 사랑 and closeness, it is very similar to what is on 텔레비전 today.
So, sitcom writers, here is my advice. Take what 당신 have, and just add heart. Clearly, that works.
The first time I read this, I thought “this is so true.” The 더 많이 I looked at it, the 더 많이 I disagreed, at least on the implication that 프렌즈 in itself made everything else mediocre. Writers of the current sitcoms on 텔레비전 are doing this to themselves and their shows, 글쓰기 them worse than Friends, and 글쓰기 shows with less popularity, because they believe nothing can ever be as good.
Do I think that there will ever be a show like 프렌즈 again? No. Nothing I watch (and this entire 기사 is talking of sitcoms only) holds a candle to Friends, and I doubt I’ll ever 사랑 a show as much again. It’s ruined me for anything new, anything old, and yes, even anything current. I don’t 사랑 The Big Bang Theory 또는 How I Met Your Mother any less, but 프렌즈 goes way beyond either of them. I think it is a standout, and, as the above quote says, an “exception” not a “rule”.
Note, however, that I said “an” exception, and not “the” exception. It doesn’t have to be as much of a standout as it was and is. Writers nowadays, through either lack of attention to detail, lack of a realistic setup for their show, 또는 something else entirely, are indirectly making 프렌즈 into something that stands so far above the rest the other shows have to climb on a 발판, 자 to look it in the eye.
I have a few simple ideas that can make sitcoms 더 많이 of what we saw in Friends. The following are some subtle, cheap changes than can and should be made to most of today’s sitcoms. They are the little things that I believe made 프렌즈 great.
So here, sitcom writers, are my suggestions.
1. Have a higher percentage of females in your cast.
프렌즈 had three females and three males. Sitcoms nowadays about twenty-somethings are rarely equal. Until this season, The Big Bang Theory had one female to four males. How I Met Your Mother is slightly 더 많이 balanced with two females and three males. Rules of Engagement has four males to two females. Two and a Half Men has three main characters, none of which are female. The female characters are girlfriends of the two men (who rarely last long), the housekeeper, and the older mother. Guest characters and recurring cast rarely have the depth of the main cast, so one can safely state that Two and a Half Men has no developed female characters.
Now, I am not sexist. Nor am I feminist that believes that females hold the answer to all success. However, it is a fact that women are 더 많이 affectionate then men, and women are 더 많이 likely to publicly display that affection 또는 intimacy with people they are close to.
I was on the girls’ swim team at my high school for four years, and I was a timer at all of the boys’ team’s 집 competitions. In between their events some boys cheered the boys that didn’t sat apart from one another, staring blankly ahead while listening to their music. They wandered the deck with their headphones in. They went into the locker room.
The girls, on the other hand, aside from cheering, sat 다음 to each other, shared iPod headphones, 또는 curled up with two 또는 three others on towels. They watched races while resting their heads on each other’s shoulders. They were generally 더 많이 affectionate, and I am sure this is why the school believes that the girls’ team is closer than the boys’. I’m not saying I believe that, guy friendships are displayed in different ways and I have no doubt that those boys are really good friends. But what is not seen is harder to believe 의해 the general public.
So, getting back to sitcoms, having 더 많이 females in the cast makes it easier (and sitcom writers like ease, that’s been proven time and time again) to show close relationships. In Friends, the girls would hug the guys when they were upset about something, 또는 they’d cover each other with a blanket if one fell asleep outside of a bedroom. They’d cry – and crying is a display of emotion if anything is – and they’d hug each other. They’d share their feelings. Guys rarely do that on sitcoms, and when it is done it is usually used for humor. If there is enough time in the show to show the guys’ laughable lamentations, then show some of the female characters upset too, and don’t ask the 여배우 for cartoonish crying meant for laughs, ask them to make it look real. It’s easier for an audience to buy it with a female than a male, and it makes the people who watch the show identify with the character(s).
And the females have to be the same age as the males. Mother figures don’t count for me. If it’s your friend 연기 that way, it’s not some related-by-blood mother thing going on. It’s a connection between friends, and that is special because a mother-daughter 또는 mother-son connection is supposed to be there. Throw two 랜덤 people in the room (which is really what any first meeting is) and no one expects gold. So when we find it, we need to express it, because that’s the best way to show it’s there.
I have nothing against men. But women need to be 더 많이 prominent in sitcoms. And yes, having a few that society deems attractive will probably help the show get a 초 season, which is often needed to help it get on it’s feet and generate enough support to be renewed on interest alone.
2. Character growth is okay.
Look at Rachel Green. Pilot episode she’s a whiny daddy’s girl still using his credit cards and marrying so she could depend on someone else. 의해 running out on her wedding (“maybe I want to be a hat!”) we learn that deep down inside of her is someone who wants to be 더 많이 than that. There, right in the first episode, is the potential for growth. 의해 the end of the show, Rachel has gone from jobless, “trained for nothing”, and selfish to a mature woman who has had a career and is sought after in the most prestigious places in the world that her job is offered. She is a mother. She has begun to put other people first, and she goes from crying about fake 텔레비전 weddings to crying about the possibility of leaving her friends. Of course, the other characters grew, too. Joey learned what it was like to 사랑 someone. Monica grew out of her dependency on her parent’s approval. Phoebe got relationship skills that allowed her to get into and keep a relationship ending in marriage. Chandler became “likely to take a wife,” and Ross grew up too, in 더 많이 subtle ways. But in my opinion, Rachel grew the most, and I think that is a large part of why people think she’s overrated. Most people, well, they 사랑 her. And while they may list their reasons for it (some may be honest, some may lie) I think that unconsciously that’s what people are responding to – how she changed.
Now, let’s look at sitcoms today. I’m going to skip right over Two and a Half Men because the only character growth I see is Jake growing from a boy to a…(I really don’t want to say ‘man’ here)…an adult. Sure, there’s the Charlie/Rose thing, but even if Charlie would be back on the show 다음 year, him realizing he wants to be with her is one thing, and as she’s been around from the start, it’s nothing new 또는 even surprising.
How I Met Your Mother has some growth. Barney 또는 Robin is the most notable, with both of them warming to the idea of relationships. Knowing Barney will one 일 marry is big. Ted is changing too, into the person the mother can one 일 fall in 사랑 with. So How I Met Your Mother has the character growth we need.
Rules of Engagement has little growth. Russell is still a ladies’ man. Adam and Jen are still engaged. Timmy went from a respectful man to being insanely horny. Audrey and Jeff are unchanged. And I bet some people wonder why it only gets a half season and is now airing Saturday nights in front of reruns.
The Big Bang Theory is all over the place. We get character growth in single episodes, and then it’s gone. Raj still cannot talk to women, Leonard is still suffering from the treatment his mother gave him, and Sheldon, while some would argue differently, is virtually unchanged. He will do things he hasn’t yet done, such as buying presents 또는 going to the hospital, but his reasoning for doing them is the same old, same old thing he has always done. Howard has probably changed the most, going from a creepy womanizer to an engaged man.
Then, there is Penny. Although people can argue differently, (and I bet the writers of this show would) Penny is supposed to be Rachel. She leaves the safety of her family and gets involved with another group of people who become her friends. She can’t get a good job and so waitresses. She is the female half of an on and off relationship. She can be insecure. She is supposed to be this decade’s Rachel Green, and what I believe is what made people connect with and 사랑 Rachel is exactly what Penny is lacking.
Four seasons in, Penny is having drunken hookups, same as she “has always done” (according to a writer himself). Her career has not improved. Her dreams of being an actress have been virtually abandoned, and she has made people dislike her in surprising numbers. Sure, she has bonded with the group that welcomed her in, but let’s face it, it’s not surprising that she likes being with men who don’t treat her like her muscle-bound exes did. I personally do not agree with Kaley Cuoco when she says “(Penny) would lie down on the tracks for these guys.” I’m sorry, I’d 사랑 to believe that, but I don’t. I know people who have stopped watching because of what Penny has become.
So the 초 big thing that 프렌즈 had – growth. How I Met Your Mother has it, too, and that show’s numbers would have it be a big hit anywhere other than CBS. But people want to grow, people want to realize their dreams, 또는 realize what they wanted all their lives is what they have now. 프렌즈 did that.
3. Give the characters lots of past. Make a few related to each other.
One of the things I loved about 프렌즈 is how most of them had at least run into one another prior to becoming close. Phoebe had mugged Ross as a teenager. Chandler was Ross’ college room mate, so he knew Monica and Rachel vaguely. Three of the six had gone to the same schools, so incidents could be recalled years later with the “that was you!?” type conversations that we saw often. Their lives were intertwined before they were friends, giving them and the audience a sort of tie that showed that they belonged together as a group.
Another great thing was having Monica and Ross be related. That did a lot to help eliminate the female-male barrier that every show faces. Whenever a male and female character have any sort of chemistry at all, there are always 팬 that want them to get together as a romantic couple. I always argue that not all chemistry is romantic, and this, the brother/sister relationship, is a convenient (and let’s be honest, creative; not many shows have siblings in the cast) way to show female/male closeness without legions of 팬 shouting out for them to get together. Once we have Monicas and Rosses in sitcoms, it’s easier for the writers to have other male/female relationships that are not seen solely as potential for romance, since a given “no no” is already there. Now, putting a male-female sibling dynamic into a show will rarely happen because of course people will say, and rightly so, that it is very similar to what 프렌즈 did. But don’t think of it as “copying Friends.” Think of it as “doing what works.”
4. Put some subtle additions in the script that shows the character’s chemistry 또는 just the plain fact that these people like each other. And do it in 더 많이 than a few episodes.
There are many scenes that show Monica (and Phoebe and Rachel on occasion) with their feet up on the coffee table, and their lower legs casually crossing over someone else’s. It’s subtle. It may not register in the audience’s mind (or the majority, anyway) that their legs are resting on someone else’s, but it will be there in the unconscious mind. In The Big Bang Theory, when there was an episode that had two of the female characters share a chair, 팬 got excited, and they had a right to be. It was a subtle, unspoken sign of friendship and being comfortable that we hardly ever see in sitcoms today. If people shared a chair on Friends, it was an every 일 thing. No one got excited because that’s what they did. Sure, I notice it now, but I grew up with the sort of stuff on 텔레비전 today, which don't take me wrong, is great for today, but ah, the past.
How hard is it, for writers of sitcoms, to make notations in the script “so-and-so turns and smiles at so-and-so.” “So-and-so smirks at so-and-so.” “So-and-so squeezes so-and-so’s arm gently.” “So-and-so and So-and-so hug in excitement/celebration, etc”. Now, both How I Met Your Mother and The Big Bang Theory does do this, but again, 프렌즈 had it much 더 많이 frequently, so it wasn’t quite as noticeable. Well, maybe noticeable is the wrong word. How about notable? If it’s a moment of “Oh my gosh look at that grin!” in modern 일 shows, it’s just as noticeable all the times it’s not there.
5. Give genuine makeups/apologies after arguments. Don’t conveniently end the episode.
I 사랑 when Monica and Rachel fight. Why? Because I know that there will always be a sweet friendship/sisterly moment at the end. Same for Chandler/Joey and all the other dynamics. They always, without fail, realize what they mean to each other, and it’s shown in a way that leaves people with no doubts.
Two and a Half Men’s apologies/makeups always feel fake to me, and that may be because often the person was faking it for their own convenience. How I Met Your Mother does a pretty good job at this, and The Big Bang Theory wraps up it’s storylines in pretty convenient ways sometimes (Sheldon and Penny both get sick, 또는 Mary intervenes for Leonard/Howard/Raj’s mistakes, etc) and sometimes drops the issue altogether, although on occasion a proper makeup is shown. But 프렌즈 doesn’t fix it “on occasion.” 프렌즈 didn’t do a “pretty good job.” 프렌즈 never felt “fake”. It was genuine and sweet, one hundred percent of the time.
When there was a fight on Friends, I always knew it was going to resolve itself and leave me loving the characters more. When there is a fight on The Big Bang Theory 또는 How I Met Your Mother, I dread 읽기 reviews/forum posts on how awfully it was written 또는 how terrible a character behaved.
So in short, it’s very simple.
Now that you’ve read this huge 기사 on what stands 프렌즈 apart, I’m going to sum it up with one simple sentence.
Put 심장 in your sitcom.
If we can believe that these characters care for one another, if we believe that these characters, at least for twenty-two 분 at a time, are real, we are going to keep tuning in, keep laughing with them, and keep rooting for them. With 프렌즈 I rarely, if ever, see 코멘트 like “the writers made Emily a bitch,” 또는 “the writers caused Monica to fall in 사랑 with Chandler.” I see 코멘트 that say “Emily is a bitch,” 또는 “Monica fell in 사랑 with Chandler.” And it’s phrased that way because there was 심장 within the funny, 사랑 at the core of each storyline, and the characters were loveable, redeemable, and genuine enough for people to believe, while watching, that they were real people to be loved and entertained by.
In Conclusion
I agree with the quote in the fact that nothing has been 또는 ever will be like Friends. 프렌즈 is and always will be in a class 의해 itself, no matter what the comparison is.
A show is truly special that makes most people cry when they watch the series finale. It’s special when each 년 팬 hope for a reunion episode. 프렌즈 is a show that was so 인기 and important that, in a Horrible Bosses 기사 written seven years after the show’s conclusion, there was a sentence that said “It will be strange to see Rachel (not Jen Aniston, Rachel) in the role of such a terrible woman.” It’s special enough that Ellen DeGeneres greets Matt LeBlanc with “how 당신 doin’?” the same number of years later. It’s special enough that the 질문 that most wanted answered in a Jen Aniston interview just a few weeks 이전 was “are 당신 still 프렌즈 with the Friends?”
프렌즈 was definitely special.
프렌즈 will always be an exception.
But it doesn’t have to be the only one. It doesn't have to be that far above the rest. 프렌즈 had it’s share of annoying characters, weak episodes, and bad 또는 cheap jokes. Without the 사랑 and closeness, it is very similar to what is on 텔레비전 today.
So, sitcom writers, here is my advice. Take what 당신 have, and just add heart. Clearly, that works.