Bruce Springsteen Club
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It's pretty simple, I 사랑 Bruce's 음악 because it spoke to the pain, the angst and the dreams I had when I was younger. Maybe that's why so many people 사랑 his music. He told stories without being too literal and precise. He had a way of expressing hard to name emotions with his words and the music. No one could say as much with an "ooooh" as Bruce. He lived inside us all.

But then he got political, and overtly political. Why? He can have his views and even express them if asked, but I am so sorry he became a disciple and fawning 팬 of one side of politics, and joined the bandwagon of those criticising others simply for disagreeing with them. In my view this has been a mistake. Bruce stopped expressing the pain of Everyman and 로스트 the 사랑 of half his audience.

And the fact is that the people he 로스트 are the people who he used to mean most to - those living hard, those feeling disaffected. He seemed to turn away from them to mix with those in the White House. This is terribly sad.

And sadder still is that the depth and the realness of his 음악 has faded as he has joined the political sphere. There has been nothing like "Something in the Night" 또는 "New York Serenade" in a long time. When was the last time he wrote a line with the passion of "I want to spit in the face of these Badlands?".

What I don't know is whether he chose to become party political because he felt the 음악 leaving him, 또는 if he has 로스트 the 음악 because he chose to take sides against those he used to give voice to. Maybe I'll never know but I now find it hard to watch Bruce talk about the world today. I feel he is just pretending to speak like a common man and now it's a guise to try to get us to follow his politics. I have returned to the early albums and that's where I'm going to stay, with the skinny, ruffled, desperate-eyed young man who knew that what really mattered was what's inside a person, not how they vote.
posted by hornean
In the 일 we sweat it out in the streets of a runaway American dream
At night we ride through mansions of glory in suicide machines
Sprung from cages out on highway 9,
Chrome wheeled, fuel injected
and steppin' out over the line
Baby this town rips the 본즈 from your back
It's a death trap, it's a suicide rap
We gotta get out while we're young
'Cause tramps like us, baby we were born to run

Wendy let me in I wanna be your friend
I want to guard your dreams and visions
Just 덮개, 랩 your legs 'round these velvet rims
and strap your hands across my engines
Together we could break this trap
We'll run till we...
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Source: Rolling Stone
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Source: Rolling Stone
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Source: Rolling Stone
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Source: Rolling Stone
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Source: Rolling Stone
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Source: Rolling Stone
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Source: Rolling Stone
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Source: Rolling Stone
posted by musicpub
Artists are defined 의해 two central fundamentals: their songs and concerts. For years, concerts were used as promotional tools to sell records, bring awareness to the act and hopefully sell a few t-shirts. Little money was made and it was 더 많이 또는 less a brief glimpse at their 가장 좋아하는 artists in the flesh. When the Beatles played Shea Stadium in 1965, they played a mere 29-minutes. As the sixties progressed, the Grateful Dead appeared and within a few years, Led Zeppelin took concerts to new heights with festival grooviness and flashing arena-rock presence. For bands like the Dead and Zeppelin,...
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